Micky's Silver, 2006
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Roberto Juarez, USA, b. 1952
Roberto Juarez, a distinguished artist hailing from Chicago, has etched his name in the annals of contemporary art with a rich and varied career. His educational foundation was laid as he pursued a Bachelor of Fine Arts (B.F.A.) degree at the esteemed San Francisco Art Institute, which he successfully attained in the year 1977. His academic pursuits extended further as he embarked on graduate studies in Television and Film at the University of California, Los Angeles (UCLA).
Throughout his artistic odyssey, Roberto Juarez has exhibited a penchant for integrating painterly floral motifs into his creations. These motifs draw inspiration from the rich traditions of Hispanic and non-Western painting, infusing his work with a unique and culturally resonant aesthetic.
In a pivotal turn of events, 1978 marked the completion of Juarez's graduate thesis for UCLA, which led him to the vibrant city of Paris. It was during this transformative period that he made a significant decision to forego a return to Los Angeles, choosing instead to embark on a new chapter in the heart of New York City. In 1981, Ellen Stewart extended a generous offer to Juarez, providing him with a former garage owned by the La MaMa Experimental Theatre Club. This space, though devoid of basic amenities such as water and electricity, served as a rent-free artist studio, contingent upon Juarez's commitment to its upkeep and maintenance.
The creative journey of Roberto Juarez during the 1980s and 1990s found him immersed in the depiction of branching forms found in nature, specifically trees and flowers. It was during his residence in Miami in the 1990s that Juarez began to introduce novel elements into his artistic repertoire. Peat moss, rice paper, and other natural materials became integral components of his canvases, adding depth and texture to his work.
As the new millennium dawned, and with his return to the vibrant artistic landscape of New York, Roberto Juarez's creative vision took a more abstract turn. His oeuvre evolved to prominently feature geometric forms and intricate systems. Renowned art critic Grace Glueck, in a review of his work during this period, astutely noted the captivating interplay between the softness of the grounds—comprising blends of transparent and opaque materials in muted colors—and the compelling presence of strong geometric-organic motifs. Roberto Juarez's artistic journey stands as a testament to his enduring commitment to the craft, marked by a captivating evolution from floral inspirations to abstract complexities. His work continues to captivate audiences, serving as a bridge between tradition and innovation in the ever-evolving realm of contemporary art.
Roberto Juarez, a distinguished artist hailing from Chicago, has etched his name in the annals of contemporary art with a rich and varied career. His educational foundation was laid as he pursued a Bachelor of Fine Arts (B.F.A.) degree at the esteemed San Francisco Art Institute, which he successfully attained in the year 1977. His academic pursuits extended further as he embarked on graduate studies in Television and Film at the University of California, Los Angeles (UCLA).
Throughout his artistic odyssey, Roberto Juarez has exhibited a penchant for integrating painterly floral motifs into his creations. These motifs draw inspiration from the rich traditions of Hispanic and non-Western painting, infusing his work with a unique and culturally resonant aesthetic.
In a pivotal turn of events, 1978 marked the completion of Juarez's graduate thesis for UCLA, which led him to the vibrant city of Paris. It was during this transformative period that he made a significant decision to forego a return to Los Angeles, choosing instead to embark on a new chapter in the heart of New York City. In 1981, Ellen Stewart extended a generous offer to Juarez, providing him with a former garage owned by the La MaMa Experimental Theatre Club. This space, though devoid of basic amenities such as water and electricity, served as a rent-free artist studio, contingent upon Juarez's commitment to its upkeep and maintenance.
The creative journey of Roberto Juarez during the 1980s and 1990s found him immersed in the depiction of branching forms found in nature, specifically trees and flowers. It was during his residence in Miami in the 1990s that Juarez began to introduce novel elements into his artistic repertoire. Peat moss, rice paper, and other natural materials became integral components of his canvases, adding depth and texture to his work.
As the new millennium dawned, and with his return to the vibrant artistic landscape of New York, Roberto Juarez's creative vision took a more abstract turn. His oeuvre evolved to prominently feature geometric forms and intricate systems. Renowned art critic Grace Glueck, in a review of his work during this period, astutely noted the captivating interplay between the softness of the grounds—comprising blends of transparent and opaque materials in muted colors—and the compelling presence of strong geometric-organic motifs. Roberto Juarez's artistic journey stands as a testament to his enduring commitment to the craft, marked by a captivating evolution from floral inspirations to abstract complexities. His work continues to captivate audiences, serving as a bridge between tradition and innovation in the ever-evolving realm of contemporary art.
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