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Whimsical Illustration
Always happy to be wrong, 1997
In stock
$3,997.00
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Description:
Medium Drawing
Materials Ink and watercolor on paper
Signature Hand-signed by artist
Certificate of authenticity Included (issued by gallery)
Frame Included
Size: 12 x 9 IN
30.48 x 22.86 CM
Vendor:Marcel Dzama, Canada, b. 1974
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Marcel Dzama (Canadian, b.1974)
Marcel Dzama, born in Winnipeg, Canada, in 1974, has garnered international recognition for his artistic prowess as a draughtsman, painter, and filmmaker. His distinctive body of work primarily revolves around the creation of fantastical pen-and-ink figure drawings.
Dzama embarked on his academic journey at the University of Manitoba, where his profound dedication to drawing and illustration led to the establishment of The Royal Art Lodge. This collaborative group consisted of fellow students who shared his passion and commitment to the art form.
Within the realm of Dzama's artistic oeuvre, one encounters a rich tapestry of subject matter, featuring ethereal depictions of slender women, cowboys, sentient trees, and various animals. His work often employs a muted color palette, characterized by earthy tones of green, red, and brown.
Influenced by the Surrealist and Dada movements, as well as the enchanting narratives found within fairy tales, Dzama masterfully interweaves elements of whimsy with undertones of dark humor, nightmarish scenarios, and absurdity.
Dzama's creative endeavors extend beyond the static realm of visual art. His films, including "The Lotus Eaters" (2005–2007) and "The Infidels" (2009), transport audiences into a realm teeming with violence, inhabited by tree creatures, bears, and humanoid animals. One of his more recent creations, a meticulously crafted diorama entitled "Rebellion Lay in Her Way" (2011), seamlessly blends wood, glass, and collage to construct a chaotic world brimming with inspiration drawn from Victorian melodrama.
Marcel Dzama's artistic versatility has transcended traditional boundaries, leading him to contribute his talents to the realms of commercial and entertainment industries. His illustrations grace album covers and novels, further expanding his artistic footprint. Dzama's esteemed body of work has graced the hallowed halls of prestigious institutions, including The Museum of Modern Art in New York, the Whitney Museum of American Art in New York, and the Kunsthalle Mannheim in Germany. These exhibitions stand as a testament to his enduring impact on the world of contemporary art.
Currently, Marcel Dzama calls Brooklyn, New York, his home, where he continues to cultivate his artistic vision and contribute to the ever-evolving landscape of creativity.
Marcel Dzama, born in Winnipeg, Canada, in 1974, has garnered international recognition for his artistic prowess as a draughtsman, painter, and filmmaker. His distinctive body of work primarily revolves around the creation of fantastical pen-and-ink figure drawings.
Dzama embarked on his academic journey at the University of Manitoba, where his profound dedication to drawing and illustration led to the establishment of The Royal Art Lodge. This collaborative group consisted of fellow students who shared his passion and commitment to the art form.
Within the realm of Dzama's artistic oeuvre, one encounters a rich tapestry of subject matter, featuring ethereal depictions of slender women, cowboys, sentient trees, and various animals. His work often employs a muted color palette, characterized by earthy tones of green, red, and brown.
Influenced by the Surrealist and Dada movements, as well as the enchanting narratives found within fairy tales, Dzama masterfully interweaves elements of whimsy with undertones of dark humor, nightmarish scenarios, and absurdity.
Dzama's creative endeavors extend beyond the static realm of visual art. His films, including "The Lotus Eaters" (2005–2007) and "The Infidels" (2009), transport audiences into a realm teeming with violence, inhabited by tree creatures, bears, and humanoid animals. One of his more recent creations, a meticulously crafted diorama entitled "Rebellion Lay in Her Way" (2011), seamlessly blends wood, glass, and collage to construct a chaotic world brimming with inspiration drawn from Victorian melodrama.
Marcel Dzama's artistic versatility has transcended traditional boundaries, leading him to contribute his talents to the realms of commercial and entertainment industries. His illustrations grace album covers and novels, further expanding his artistic footprint. Dzama's esteemed body of work has graced the hallowed halls of prestigious institutions, including The Museum of Modern Art in New York, the Whitney Museum of American Art in New York, and the Kunsthalle Mannheim in Germany. These exhibitions stand as a testament to his enduring impact on the world of contemporary art.
Currently, Marcel Dzama calls Brooklyn, New York, his home, where he continues to cultivate his artistic vision and contribute to the ever-evolving landscape of creativity.
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