Contemporary Art
From the series Fragments of a picturesque city, Habana esq. Obrapía
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During the last 10 years, drawing has emerged in Antonio’s work as one of the most relevant forms of expression. Through the visuality that this medium has allowed him, he has developed multiple series where the work of graphite on paper is a pretext to express various ideas that have as a common thread the lights and shadows of chiaroscuro. Understanding the development of his work as a constant revisitation to the history of art and within this to his own artistic production, his recent drawings not only refresh and oxygenate the visuality of a specific previous theme; In addition to that, they resignify approaches and generate novel proposals to the characteristic topics of his production to propose other codes of reflection, a sort of casual, personal interpretation that speaks of the ineffectiveness and stagnation of certain processes, whether from the apparent complacency of the admiration of an image of the sea to the suggestion of emotions found in that eagerness for social re-reading from the creative process.
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