Contemporary Art
From the series Mirror Stone, “Lara Stone” set crystals in found magazines
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Carolina Gomez's oeuvre beckons viewers to ponder profound inquiries regarding the nuanced intricacies of personal feminine identity juxtaposed against societal perceptions of womanhood.
In her transcendent paintings, Gomez masterfully channels the essence of female pop culture icons onto canvas, employing oil as her medium of choice. Yet, she deftly conceals the quintessence of these icons—their faces—behind a veil of opulent concealment. It is not merely any veil that shrouds these countenances, but a resplendent array of precious gems: diamonds, quartz, topazes, rubies, each imbued with its own luminosity and allure.
In her latest series, "Mirror Stone," Gomez invites us into a realm where power, beauty, and fashion converge in a symphony of visual eloquence. Through a fusion of figurative paintings and collages, she navigates the labyrinthine depths of societal constructs, probing the intersectionality of iconography and the allure of precious stones.
Here, within the hallowed confines of her artistic domain, viewers are invited to contemplate the symbiotic relationship between material opulence and the intangible essence of identity.
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